The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination.　　Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that).　　Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.

第一集：这部电影是一部悬疑片，故事情节扣人心弦，充满了惊险和意外。影片中的角色形象非常立体和鲜明，每个人物都有自己的性格和故事，让人不由得产生共鸣和思考。
第二集：小文在小莉的帮助下，实现了自己的梦想，她感谢小莉给予自己的信任和支持。她决定继承小莉的精神和理念，帮助更多的年轻人实现自己的梦想和目标。
第三集：每个人的人生中都会遇到许多挫折和困难，这是无法避免的。但是，只要我们拥有勇气和信心，相信自己，相信未来，便一定能够战胜困难，走向成功。在生命的路途中，每一步都是一个机会，让我们一起抓住它，创造属于自己的精彩。
第四集：然而，他们没有被这些挑战和困难打败，反而通过自己的坚韧不拔和拼搏奋斗的态度，最终实现了自己的梦想和信仰。他们通过电影，向观众传递了人性、温暖和力量的品牌，成为了电影界的佼佼者和梦想的代表。。。。